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[RUO]≫ Download The Road Illustrated eBook Jack London

The Road Illustrated eBook Jack London



Download As PDF : The Road Illustrated eBook Jack London

Download PDF  The Road Illustrated eBook Jack London

What Mr. London did so graphically for the poorest quarters of London a few years ago, he now does for the American underworld of the tramp and hobo, a territory in which his young Wanderlust led him far afield.

The Road Illustrated eBook Jack London

Until I read it.

Like so many boys who grow up in the Midwest, I revered my father. My father was a Republican, who loved Reagan and taxes and the military and said God Made America. And like so many boys, I wanted to please my father. Truth be told there was once a time in my life where I too would talk about taxes and abortion and guns and our revered troops and our God Given Right.

And then, I turned 18 and went to college. And just like all the other Midwestern white boys who find themselves in school, alone and without the need to please their patriarch, I fell in love with being Progressive. I'd talk about ignorant, closed minded country bumpkins and their pickup trucks. I'd say Bush needed to be put on trial for war crimes and that taxes needed raised and it's a woman's body so it's her choice. I came to hate my father, and I came to know that I knew better than him in his closed mind in the Midwest. That the future didn't look like him. I never did drugs, I didn't even drink alcohol until I was a few months over 21, and I never traveled to Berlin or Chile or Thailand, and I may have never owned the Birkenstocks or the old, travel-worn bag. But I knew from my reading and my friends and my freedom that the old man was just plain wrong. I knew this.

And a large reason I knew it was because of this book. On The Road has been said to be to hippies what the Bible is to Christians. Bob Dylan read this book and then started Folk Rock, it's said. The Beat Generation may have came before the Baby Boomers, but when Baby Boomers went to the bookstores just as soon as they were old enough they bought On The Road, and Howl and Naked Lunch. The idea of other ways to live, other ways to be other than a company man sending troops all over the world was supposed to have started with the Beats. It was Kerouac and Ginsburg and Burrows and a host of others that turned the Beatles from suit wearing British boys into long haired, bearded, sunglasses wearing hippies who fought the war and the squares and expanded their mind. And the hippies just wanted peace and free love and an end to racism and sexism, right? It was Nixon who killed real freedom, the freedom our long haired brethren from Berkeley and Frisco fought for. That was something I knew.

And I went on believing this, really knowing this, for a long time. That somewhere in our past was a truth that was squelched by oppressive forces like Nixon and Reagan and even Clinton and then Bush. The names of other old patriarchs who were stopping the future from coming. That all we needed was the future and the future promised to us years before by the long lost Counter-Culture of the 1960s.

I knew all this, right up until I was watching CNN about three weeks ago. I was on my Amazon Fire TV, on the CNN App, watching this show produced by Tom Hanks called "The 60s." It was this little mini-series, that has been replicated for every decade since, and it talked about Rock and Roll and Vietnam and Jack and Bobby and 1968. But it also talked about the hippies, and toward the end of that hour of television something happened that I started me un-knowing what I had known. Because it turns out that Jack Kerouac, in 1968, went on William F. Buckley's TV show and completely and unequivocally dis-owned the hippies.

I was floored. Here was the hero whose foundation held up the Counter-Culture's house, on the show of an old-school white guy Republican ideologue, saying he wanted nothing to do with the hippies. Just what in the heck?

I, now a 30 year old Midwesterner with the Internet, checked out Wikipedia. Turns out old Jack Kerouac was a lifelong Catholic (yes, even when writing the Dharma Bums), who painted portraits of the Pope and carried a rosary. He played football in High School and went to college on a football scholarship. This square was the guy who people flocked to to change the world? This dude wearing jeans and a t-shirt and drinking a tall can of Budweiser? That article on Wikipedia was an eye-opener. Jack was also schizophrenic.

Now, I am not going to ruin this book for you. I want to, I really do. But I bought the book and read it in maybe a week or so. Even now, a few hours after I put it down, I am floored and still collecting my thoughts. Kerouac is not who I thought he was. The entirety of our great, glorious past and our experiment in free love and peace isn't built on a lie, I've checked. There isn't another On The Road written by another Jack Kerouac that I have accidentally purchased. What it seems to be based on is the most misogynist and most disdainful and most self-absorbed and outright delusional reading of a book that had occurred in the entire Baby Boomer generation. Kerouac and his friends, all subjects of this book written in with their names changed, were deluded about their place in life, disdained the order that let them treat so many people so badly, and what they did to the women in their lives makes Don Draper and Roger Sterling look like Gloria Steinem's hard nosed instructors. These men were monsters who used people like objects and had the utter gall to appropriate the name of the Beat, originally a term used to describe black people "beaten to their socks," and apply it to their own over-privileged selves. Sal and Dean actually got up in the morning and thought that THEY were "beat."

I encourage everyone to read this awful tome to awful men. I hope that you read it when you are 30 like me, or maybe just when you are mature enough to understand that what is happening here isn't a great adventure but a total abdication. I wish I had actually read this book in college. My father and I argued a lot when I was in school, when I knew he was so wrong and I was so knowing. The truth about Jack Kerouac and his friends is that even their best qualities fail to exceed my father's worst. For all his many faults, he has never, ever treated any human on this earth the way Sal and Dean treated every single person that had the misfortune to be on the road to Sal and Dean's kicks.

Don't get me wrong, this book hasn't changed my political stripe. I'm not voting for Trump two years ago or two years from now. But Holy God, to think the young people who were going to "change the world" in my father's youth did so after reading this. It makes sense to me now, sitting here, why the #MeToo movement has ousted so many lefty men in Hollywood and the Senate, and even a lefty woman or two. I think, whether they read this book or not, they actually know what I knew until just earlier today.

I'm sorry, dad.

Product details

  • File Size 599 KB
  • Print Length 114 pages
  • Page Numbers Source ISBN 1419180746
  • Simultaneous Device Usage Unlimited
  • Publication Date August 6, 2014
  • Language English
  • ASIN B00MI3P1AG

Read  The Road Illustrated eBook Jack London

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The Road Illustrated eBook Jack London Reviews


On the Road has been interpreted, debated over and, ironically enough, turned into an engine of capitalism in the fifty some years since it was published. This clash of interpretations is because Kerouac wasn’t writing an adventure story, as it is often read, but a character study of one of the most interesting individuals in modern literature.

While ostensibly the story of Sal Paradise’s adventures across North America, the real focus of the book is on the other central character Dean Moriarty. Sal is fascinated, almost obsessively, with Dean as soon as he meets him. To those who know him only casually, Dean seems like a conman. He works and fudges his way towards enough money to sustain drinking, womanizing and, above all, traveling. All the while he leaves behind a string of heartbroken women and fatherless children across the US. And yet this conman fascinates the more responsible Sal so much that he spends several years of his life following him around trying to understand how Dean seems to know the secret of life.

And, according to the author, Dean really does know the secret, or better put, lack thereof. Dean simply lives life in the moment. He isn’t moral and he isn’t immoral. He is more amoral-he simply doesn’t think in those categories. He isn’t religious but he has a strange religious sense about him. More Eastern than Western he sees the life of work, marriage and responsibility as mostly an illusion to be fled from.

This attitude towards life, this simply to be fully alive every second, can’t be put into so many words. That’s why Dean is forever talking about someone getting IT. IT is simply this sense of living at its utmost that seems like such a banal insight unless expressed as lived in a person like Dean Moriarty.

And this understanding of life comes with an understandable sadness since human life is always finite. Hence the dichotomy between Dean fully feeling IT and his often expressed melancholy.

To be honest, I don’t share Kerouac’s enamor with Dean Moriarty. But then I’m married, work in an office and have a mortgage to meet. Perhaps Kerouac wouldn’t have been so enamored with my choices.

Regardless, the book is a deserved classic for espousing a way of life that people around the world aspire to attain. One can condemn, belittle or otherwise reject this life but it rarely has been better sold. A must read for all who want to understand the type of life many modern people try to imitate.
"On the Road" is based on events that happened on author Jack Kerouac's journeys across America from 1947 to 1950. These stories of travel, searching, and exploration provide a window into mid-century Beat culture and have been read for decades.

Kerouac's keen travel observations provide the present-day reader with insights into what the country was like two or three generations ago and some of the ways it differs from America today. America seemed more free and wide-open in these pages, but the book is a reminder of how the encroachments of centralization and bureaucracy are on ongoing process--one of the characters in "On the Road" laments how much less free the country was at the book's mid-century vantage point than it was in the years before World War I.

Jazz was still wildly popular in America in the 1940s, and Kerouac references it constantly in these pages. Less savory aspects of the Beat culture included indiscriminate sexual activity, drug use, and alcohol abuse, and the repetitive nature of the stories describing these activities suggests that the characters were searching for something and just not finding it. Not all of the tales in the book were seedy, though, with many just plain fun travel stories.

In spots the repetitiveness did get tiresome, as did some of the eye-rolling driving techniques that suggested that the characters were just overgrown delinquents, but readers who have always been curious about the book and want to examine the Beat culture will find much of interest in "On the Road."
Until I read it.

Like so many boys who grow up in the Midwest, I revered my father. My father was a Republican, who loved Reagan and taxes and the military and said God Made America. And like so many boys, I wanted to please my father. Truth be told there was once a time in my life where I too would talk about taxes and abortion and guns and our revered troops and our God Given Right.

And then, I turned 18 and went to college. And just like all the other Midwestern white boys who find themselves in school, alone and without the need to please their patriarch, I fell in love with being Progressive. I'd talk about ignorant, closed minded country bumpkins and their pickup trucks. I'd say Bush needed to be put on trial for war crimes and that taxes needed raised and it's a woman's body so it's her choice. I came to hate my father, and I came to know that I knew better than him in his closed mind in the Midwest. That the future didn't look like him. I never did drugs, I didn't even drink alcohol until I was a few months over 21, and I never traveled to Berlin or Chile or Thailand, and I may have never owned the Birkenstocks or the old, travel-worn bag. But I knew from my reading and my friends and my freedom that the old man was just plain wrong. I knew this.

And a large reason I knew it was because of this book. On The Road has been said to be to hippies what the Bible is to Christians. Bob Dylan read this book and then started Folk Rock, it's said. The Beat Generation may have came before the Baby Boomers, but when Baby Boomers went to the bookstores just as soon as they were old enough they bought On The Road, and Howl and Naked Lunch. The idea of other ways to live, other ways to be other than a company man sending troops all over the world was supposed to have started with the Beats. It was Kerouac and Ginsburg and Burrows and a host of others that turned the Beatles from suit wearing British boys into long haired, bearded, sunglasses wearing hippies who fought the war and the squares and expanded their mind. And the hippies just wanted peace and free love and an end to racism and sexism, right? It was Nixon who killed real freedom, the freedom our long haired brethren from Berkeley and Frisco fought for. That was something I knew.

And I went on believing this, really knowing this, for a long time. That somewhere in our past was a truth that was squelched by oppressive forces like Nixon and Reagan and even Clinton and then Bush. The names of other old patriarchs who were stopping the future from coming. That all we needed was the future and the future promised to us years before by the long lost Counter-Culture of the 1960s.

I knew all this, right up until I was watching CNN about three weeks ago. I was on my Fire TV, on the CNN App, watching this show produced by Tom Hanks called "The 60s." It was this little mini-series, that has been replicated for every decade since, and it talked about Rock and Roll and Vietnam and Jack and Bobby and 1968. But it also talked about the hippies, and toward the end of that hour of television something happened that I started me un-knowing what I had known. Because it turns out that Jack Kerouac, in 1968, went on William F. Buckley's TV show and completely and unequivocally dis-owned the hippies.

I was floored. Here was the hero whose foundation held up the Counter-Culture's house, on the show of an old-school white guy Republican ideologue, saying he wanted nothing to do with the hippies. Just what in the heck?

I, now a 30 year old Midwesterner with the Internet, checked out Wikipedia. Turns out old Jack Kerouac was a lifelong Catholic (yes, even when writing the Dharma Bums), who painted portraits of the Pope and carried a rosary. He played football in High School and went to college on a football scholarship. This square was the guy who people flocked to to change the world? This dude wearing jeans and a t-shirt and drinking a tall can of Budweiser? That article on Wikipedia was an eye-opener. Jack was also schizophrenic.

Now, I am not going to ruin this book for you. I want to, I really do. But I bought the book and read it in maybe a week or so. Even now, a few hours after I put it down, I am floored and still collecting my thoughts. Kerouac is not who I thought he was. The entirety of our great, glorious past and our experiment in free love and peace isn't built on a lie, I've checked. There isn't another On The Road written by another Jack Kerouac that I have accidentally purchased. What it seems to be based on is the most misogynist and most disdainful and most self-absorbed and outright delusional reading of a book that had occurred in the entire Baby Boomer generation. Kerouac and his friends, all subjects of this book written in with their names changed, were deluded about their place in life, disdained the order that let them treat so many people so badly, and what they did to the women in their lives makes Don Draper and Roger Sterling look like Gloria Steinem's hard nosed instructors. These men were monsters who used people like objects and had the utter gall to appropriate the name of the Beat, originally a term used to describe black people "beaten to their socks," and apply it to their own over-privileged selves. Sal and Dean actually got up in the morning and thought that THEY were "beat."

I encourage everyone to read this awful tome to awful men. I hope that you read it when you are 30 like me, or maybe just when you are mature enough to understand that what is happening here isn't a great adventure but a total abdication. I wish I had actually read this book in college. My father and I argued a lot when I was in school, when I knew he was so wrong and I was so knowing. The truth about Jack Kerouac and his friends is that even their best qualities fail to exceed my father's worst. For all his many faults, he has never, ever treated any human on this earth the way Sal and Dean treated every single person that had the misfortune to be on the road to Sal and Dean's kicks.

Don't get me wrong, this book hasn't changed my political stripe. I'm not voting for Trump two years ago or two years from now. But Holy God, to think the young people who were going to "change the world" in my father's youth did so after reading this. It makes sense to me now, sitting here, why the #MeToo movement has ousted so many lefty men in Hollywood and the Senate, and even a lefty woman or two. I think, whether they read this book or not, they actually know what I knew until just earlier today.

I'm sorry, dad.
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